Sessions: Thu 6 December - Wed 12 December
Palmerston North 06 355 5335
70 Broadway Ave
Palmerston North, NZ, 4410
Traditional Sessions
A Star is Born (M) 136 mins

Tue 11:10AM, 8:00PM

Wed 11:10AM, 2:50PM, 8:20PM

Bohemian Rhapsody (M) 134 mins

Tue 11:10AM, 5:30PM, 8:10PM

Wed 11:10AM, 8:10PM

Bumblebee (M) 114 mins No Free Tickets

Wed 6:30PM

Creed II (M) 130 mins

Tue 3:15PM, 8:00PM

Wed 3:15PM, 8:20PM

Fantastic Beasts: The Crimes of Grindelwald (M) 134 mins

Tue Wed 11:00AM, 2:30PM, 5:40PM, 8:20PM

Mortal Engines (M) 128 mins No Free Tickets

Tue 12:00PM, 1:50PM, 2:50PM, 4:40PM, 5:40PM, 8:30PM

Wed 11:00AM, 12:30PM, 1:50PM, 3:30PM, 4:40PM, 5:30PM, 7:30PM, 8:30PM

National Theatre: King Lear (M) 230 mins No Free Tickets

Wed 1:30PM

Robin Hood (M) 116 mins

Tue 12:40PM, 3:20PM

Wed 5:45PM

Second Act (M) 104 mins No Free Tickets

Tue 11:00AM, 1:30PM, 3:50PM, 6:10PM, 8:30PM

Wed 11:00AM, 1:20PM, 6:10PM, 8:30PM

The Children Act (M) 105 mins No Free Tickets

Tue 10:30AM, 1:00PM, 3:20PM, 5:45PM

Wed 10:30AM, 12:45PM, 3:45PM, 6:00PM

The Grinch (G) 90 mins

Tue Wed 10:30AM, 3:30PM, 6:05PM

The Met Opera 18-19: Samson Et Dalila (PG) 216 mins No Free Tickets

Tue 11:00AM, 6:00PM

Widows (R16) 129 mins

Tue 8:30PM

Film Synopsis
Mortal Engines (M)
A mysterious young woman named Hester Shaw joins forces with Anna Fang, a dangerous outlaw with a bounty on her head, and Tom Natsworthy, an outcast from London, to lead a rebellion against a giant predator city on wheels.
The Grinch (G)
A grumpy Grinch plots to ruin Christmas for the village of Whoville.
Bohemian Rhapsody (M)
Bohemian Rhapsody is a foot-stomping celebration of Queen, their music & their extraordinary lead singer Freddie Mercury, who defied stereotypes & shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs & revolutionary sound, their near implosion as Mercury’s lifestyle spins out of control, & their triumphant reunion on the eve of Live Aid.
Fantastic Beasts: The Crimes of Grindelwald (M)
The second installment of the "Fantastic Beasts and Where to Find Them" franchise which follows the adventures of Newt Scamander.
Second Act (M)
A big box store worker reinvents her life and her life-story and shows Madison Avenue what street smarts can do.
Bumblebee (M)
On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town. Charlie, on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken.
The Children Act (M)
As her marriage to Jack (Stanley Tucci) flounders, eminent High Court judge Fiona Maye (Emma Thompson) has a life-changing decision to make at work.
A Star is Born (M)
A musician helps a young singer and actress find fame, even as age and alcoholism send his own career into a downward spiral.
Creed II (M)
Life has become a balancing act for Adonis Creed. Between personal obligations and training for his next big fight, he is up against the challenge of his life. Facing an opponent with ties to his family’s past only intensifies his impending battle in the ring.
Robin Hood (M)
A war-hardened Crusader and his Moorish commander mount an audacious revolt against the corrupt English crown in a thrilling action-adventure packed with gritty battlefield exploits, mind-blowing fight choreography, and a timeless romance.
The Met Opera 18-19: Samson Et Dalila (PG)
Saint-Saëns’s biblical epic stars mezzo-soprano Elina Garanca and tenor Roberto Alagna in the title roles; Live in HD audiences last saw the pair together in the acclaimed 2010 transmission of Bizet’s Carmen.
Widows (R16)
Set in contemporary Chicago, amidst a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
National Theatre: King Lear (M)
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.