Vin Diesel’s Dom Toretto is leading a quiet life off the grid with Letty and his son, little Brian, but they know that danger always lurks just over their peaceful horizon. This time, that threat will force Dom to confront the sins of his past if he’s going to save those he loves most. His crew joins together to stop a world-shattering plot led by the most skilled assassin and high-performance driver they’ve ever encountered: a man who also happens to be Dom’s forsaken brother, Jakob (John Cena, next year’s The Suicide Squad).

Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.

A chilling story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren. One of the most sensational cases from their files, it starts with a fight for the soul of a young boy, then takes them beyond anything they’d ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.

Academy Award® winner Emma Stone stars in Disney’s “Cruella,” an all-new live-action feature film about the rebellious early days of one of cinemas most notorious – and notoriously fashionable – villains, the legendary Cruella de Vil. “Cruella,” which is set in 1970s London amidst the punk rock revolution, follows a young grifter named Estella, a clever and creative girl determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets. One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute, played by two-time Oscar® winner Emma Thompson. But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.

The best films depicting the preparation and love of fine cuisine should come with a trigger warning: viewers should either eat beforehand, or have a reservation in place. Thus, as with Big Night, Chocolat and Babette’s Feast, Festival audiences attending Eric Besnard’s mouth-watering new historical comedy Delicious can only consider themselves duly forewarned. The story is set in 1789 France, where prior to the dawn of the Revolution, gastronomy remains strictly the domain of the aristocrats; indeed, the prestige of a noble house is entirely dependent on the quality and reputation of its table. So, when the talented but prideful cook Manceron (a superb Grégory Gadebois) serves an unapproved dish of his own creation at a dinner hosted by the self-entitled Duke of Chamfort (C’est La Vie’s Benjamin Lavernhe), the repercussions are brutal, and he is promptly dismissed. The wounded Manceron swears off his passion and retreats with his son to a regional inn visited only infrequently by travellers, and where vegetable soup is the common meal. But when a mysterious woman (the magnificent Isabelle Carré) arrives and offers to pay to become his apprentice, the stage is set for a wildly enjoyable tale of reignited passion, mentorship and revenge… and of the creation of France’s very first restaurant.

Eve used to be one of the most famous rose creators in the world. Today, her company is on the verge of bankruptcy. On top of that, her secretary Vera has hired three outcasts with absolutely no gardening skills. Though they have nothing in common, they come up with the most crazy plan that could change their lives forever...

The effervescent Isabelle Huppert returns to the Festival (Mrs Hyde, Things to Come, in The Godmother, where the gritty realism of Breaking Bad meets the stoner comedy of a Cheech & Chong movie. Huppert will leave you grinning from ear-to-ear in her performance as Patience Portefeux, a middle-aged police interpreter who switches sides to become a wholesale narcotics trafficker. Armed with her insider knowledge of the law and a striking wardrobe of Hermès scarves, Patience reinvents herself as a drug lord. As well as delivering laughs, The Godmother is a moving and heartfelt drama about female empowerment. The audience is encouraged to vicariously take delight in Patience’s transformation and gleefully relish the scenes where she dominates her competition in the drug trade and thwarts detection from her colleagues in the police. Based on the award-winning novel by Hannelore Cayre – who also co-wrote the script – The Godmother is a beautifully crafted blend of French noir, drama and comedy with a triumphant performance by Huppert as a defiantly independent woman making her mark on the world with a bang rather than a whimper.

An Official Selection of the 2020 Cannes International Film Festival, writer/director Caroline Vignal’s hilarious and life-affirming romantic comedy stars the wonderful Laure Calamy (Call My Agent!;Sibyl) as a woman who finds herself on a journey of self-discovery in somewhat unexpected circumstances. 40-something primary school teacher Antoinette (Calamy) has been eagerly looking forward to a long-planned weekend escape with married lover Vladimir, the father of one of her pupils. However, their plans are upended by his wife’s booking of a surprise hiking trip in the picturesque Cévennes mountains in the South of France. Completely unversed in the ways of the wilderness, the spurned Antoinette impulsively decides to follow them, and once paired with an unlikely companion – an obstinate but evidently wise grey donkey named Patrick – discovers much, much more than she bargained for... Carried by the remarkable Calamy and her scene-stealing co-star, Vignal’s wonderfully mischievous film offers both its lead character and audiences an uproarious and poignant reminder of the virtues of independence, and that the journey, not the destination, is often the reward.

Emmanuelle Devos (‘Read My Lips’) and Gregory Montel (‘Call My Agent) shine in this fragrant French drama. Anne Walberg (Devos) was once the star of her industry – a perfumer whose ability to produce enticing new fragrances was second to none and which saw her rise through a competitive landscape. She remains in demand, but her intemperate behaviour has made her difficult. However, striking up an unlikely friendship with her equally troubled new driver, Anne sees a way to return to the top, which might offer a solution to both their problems.

Biographical drama is one of French cinema’s most established and beloved genres, and Gabriel Le Bomin’s spectacularly-mounted DE GAULLE stirringly depicts a crucial period in the life of one of the most famous (if not infamous) figures in the nation’s modern history, doing it enormous justice in the process. It is May 1940, where the war between Germany and its neighbours has intensified. Shockingly, the French army collapses, and Hitler seizes Paris. The government is in panic and considers accepting defeat, but recently promoted two-star General Charles de Gaulle (The Translators’ Lambert Wilson, in a career-best performance), wants to change the course of history... His wife, Yvonne (Isabelle Carré), is his first support, but very quickly events spiral out of control and separate them - she and their children set out on the roads of exodus, as Charles travels to London to meet with Winston Churchill. He wants to make another voice heard: that of resistance. Matching the impact and scale of recent war dramas The Darkest Hour and The King’s Choice as it depicts crucial incidents in gripping tick-tock fashion, Le Bomin expertly mixes the historic and the Romanesque, charting both a military debacle and the eventual revelation of a destiny. DE GAULLE is filmmaking on a grand scale, with an impact to match.

Three of France’s most endearing leading ladies – Juliette Binoche, Noémie Lvovsky and Yolande Moreau – star in HOW TO BE A GOOD WIFE, the eagerly anticipated new comedy by César-winner Martin Provost (Séraphine, The Midwife). It’s 1967. The immaculate and morally upright Paulette Van Der Beck (the ever-exquisite Binoche) and her husband Robert have been running Van der Beck’s School of Housekeeping and Good Manners in the lush regions of Alsace for over two decades, with the help of Paulette’s eccentric stepsister Gilberte (Moreau) and the school’s communist-fearing, ex-Resistance nun Marie-Therese (a scene-stealing Lvovsky). Their mission: to train teenagers to become perfect housewives, in times when women were expected to be largely subservient. After an accident turns clockwork order into chaos, Paulette discovers that the school is on the verge of financial ruin. Forced to assume executive responsibilities, she is flustered even more by an encounter with her long-lost first love, André (Edouard Baer), who becomes relentless in his desire to rekindle their romance. Meanwhile, a sweeping nationwide protest movement is transforming society around them, encouraging the school’s pupils to challenge authority and question their own desires and beliefs… Before long the entire group undertakes a journey of liberation, one that will transform all their lives. Striking a near-magical tone that’s both satirical and tender, this tale of solidarity looks set to become one of the year’s biggest comedic hits.

The Man In The Hat (Ciarán Hinds) journeys through France in a Fiat 500 accompanied by a framed photograph of an unknown woman. He is pursued by five angry men in a Citroën Dyane. On his escape he hears stories of love and loss, listens to Shubert, Otis Redding and Canteloube, and encounters mysterious strangers including The Damp Man (Stephen Dillane), The Chef (Muna Otaru) and The Biker (Maïwenn). The Man In The Hat is a contemporary odyssey of music, story-telling and silent comedy traversing the wonderful landscapes of France.